Wednesday, June 22, 2011
A keepsake that will be lasting reminder of an important event in life: how many times do we get to carry a real Olympic torch?
Clearly for this young man the chance to carry the torch was a true highlight he will always remember and cherish. For a x-mas present his parents elected to have the actual torch and all the goodies that came with it mounted into a deep, shadow box picture frame.
This included a portrait of the torch carrier, a pair of the specialty mittens and a hat worn by the torch carriers only . The lighter articles were sewn to a piece of archival mat board, this way they would stay unharmed and could be taken out if needed. The torch itself was quite cumbersome: bulky and heavy. We decided to wire it down to the backing board so it would stay well anchored. The idea was to protect the torch so that it would last in it's authentic shape, sooty and all! This piece needed some heavy duty backing and therefore we ended up adding a piece of Masonite to support the structure of the frame.
The colour selection , not surprisingly, was very Canadian, sporting the patriotic red and white of the Canadian flag. A deep red suede mat board as a backing added a touch of glamour.
For the frame itself we chose a simple double stacked shadowbox moulding from Omega Canada. It gave the piece a nice, contemporary feel with a thin line of silver for the added sparkle. The whole piece was then finished of with a piece of museum glass to reduce glare and protect the items from UV-damage.
I feel deeply embarrassed about the quality of these photos. This project was completed a couple days before x-mas and at that time of the year a frame shop is always like a true Santa's workshop with a million things on the go. These pictures got taken by visitor just before this frame got picked up so we didn't get a chance to redo them. We almost had no pictures at all!
Another interesting thing about this project is this:
This a was the last big undertaking that we three worked on together.
In the end of the January the ownership of our company changed hands and Heidi (on the left) became the new owner. We worked for ten years together as a solid team and that era had now come to and end.
So, in way -we were truly passing the torch over to her!
Five months into my "retirement" and I am busier than ever! As you can see it has taken me this long to get this entry posted. Heidi is DOING GREAT and really enjoying her new challenges as a young business owner. She is "carrying the torch" high and it is burning mighty bright!She has really taken her creativity to a new level!
I will be following her specialty projects and blogging away about the most interesting ones.
Just have patience with me, it is all in the works!
your frame dame in retirement ☺,
Thursday, April 14, 2011
Thursday, August 26, 2010
The first step was to have the photograph restored. Local photographer Charles Bryant took this as a personal mission and resurrected the original clarity and colour. At the same time multiple copies were printed, and this way every member of the family got their own personal copy.
The little vintage photo frame had seen better days. The hand-hammered copper was bent and cracked and simply could not serve as a frame anymore. My solution was to clean it up and insert it into another frame. We chose a small shadowbox moulding called Sofia by Larson-Juhl.
This beautifully reflects the time period and colouring of the original frame. I float mounted the copper frame on an archival mounting board, added a generous amount of spacing and finished it with a piece of conservation quality glass. The whole piece is like a piece of jewellery!
The customer was very pleased with the presentation... and very happy to have her mother back. In a way, this really was an act of love and affection, a beautiful way to pay homage to someone very dear and close.
If you have little treasures stored away in boxes and photo albums, put them together and come and see me! Together we can create a one-of-a-kind piece of home decor that is much much more than just a pretty picture!
September is a major picture framing month, it is the time for all the art tours and group shows. This is also a perfect time to redecorate! I have plenty of ideas how to add some fresh colour to a home without getting into a extensive renovation! Just call to book a free consultation or drop by to get some quick ideas!
Wishing you a fun and creative fall season,
Outi, the Frame Dame :)
Friday, July 23, 2010
There are paintings and there are PAINTINGS. These are the days when most art schools focus on developing ideas rather than training the skills. There are plenty of goodness in both approaches. Good paintings are rarely born without good ideas....but great skills are required to take that good idea to the maximum.
Greg Hindle is a traditionally trained painter and well loved teacher with outstanding technical skills. As an honours graduate from the Ontario College of Art, Greg also studied in Florence, Italy. As a teacher, Greg spend another twenty five something years teaching at OCA (now OCAD) and he currently teaches at various locations around North America. This September he will be teaching and supervising a group in Italy.
If you are under the impression that you don't need to know how to draw in order to paint, Greg will prove you wrong . He will show you that drawing is a skill that can be developed. It is based on hand-eye coordination and sharpened observation skills. OBSERVATION is the key word.
There is a difference in between seeing and really seeing. Greg can teach you how to look so you can REALLY SEE what it is that you are looking at, -instead of just THINKING THAT YOU SEE WHAT YOU SEE.
Confused yet? Don't be.
The truth is that a great representational painting cannot be born without fundamental drawing skills and practise. Follow the leader; here is GREG HINDLE!
Greg is comfortable with all traditional mediums: graphite, watercolour, pastel, oil and acrylic. You can commission him to paint a watercolour of your house, a pastel of your dog and an oil portrait of your grand-mother and they will all display mastery of technique and distinctive professionalism. Not to forget purity of colour and great likeness of the subject matter.
The small selection of paintings on this blog are a very narrow selection of Greg's repertoire.
I apologize for the quality of my photos, please click on the images to view them closer.
Good, plump toes here. Michelangelo Buanorotti would have approved. :)
Great also has an affection to the Northern Ontario landscape. At several occasions he has taught painting workshops on a wilderness location at French River. This is 11"x14" oil, palette knife on wood panel. For the frame we chose black and silver a moulding called Palladio, recently distributed in Canada by Frameguild.
Another French River landscape , oil on board 12"x16". When I study these paintings I hear Greg saying: "Let your eye do the blending!" There's the secret: keep the colour clean and vibrant and leave the joy of discovery for the eye of the viewer. A painting is not supposed to be a photo realistic reproduction of the subject matter, is has to be MORE! This is where the ART comes into the picture: a true artist has the skill (hence:art) to show you more that you would have seen on your own.
Here is an opportunity of a life time: Join Greg and his wife Susan (also a OCA graduate and a remarkable artist herself) for a PAINTING TRIP IN ITALY! THIS SEPTEMBER! Imagine spending a week in a villa, just south of Florence, Tuscany! Oh Gelato! Oh Fromaggio! Oh Sergio! (just kidding, please!)Painting at historical locations around the area, with the help of the masters! Call Greg and Susan immediately at 905-729-3874, the space is limited! Hopefully, I'll see you there!
Friday, June 4, 2010
This piece is a beautiful example of a rare family keepsake.
It is a piece of fibrous wall board that comes from an old farmhouse in NAALDWIJK, The Netherlands. The customer that brought it in for framing grew up looking at these little Dutch girls that adorned the walls of the kitchen. Her mother had stencilled them. The house is now gone, so is her mother.
A little piece of both will keep on living in this shadow box frame that we crafted to house the remaining piece.
It now has a place of honour in my customers country kitchen in Southern Ontario.
Since the piece itself is a true folk art item with genuine country charm we opted for a very simple arrangement. The board itself was float mounted on a delft blue archival mat board and shadowboxed in a stacked wood frame. The cap moulding "Straw Bandana" by Larson-Juhl beautifully reflects the weathered appearance of the item itself.
Saturday, May 1, 2010
.... this is a story with a happy ending.
During the 23 years of my retail life in Alliston some bad things have happened:
my front window was smashed to smithereens by hooligans, merchandise stolen and vandalized, displays destroyed and demolished.
Every time I experience a mean-spirited random act of vandalism I feel like backing it all up, closing the shop and leaving the town for good. Anybody who's been through something similar knows how it feels: your whole life tastes contaminated.
This is how I felt the morning of Tuesday, April the 6Th.
I came to work and noticed that THE MOON was missing! This iconic emblem is the main adornment of the sign in front of my store, the image therefore used on all my advertising from business cards to newspaper adds.
And it was GONE.
I sent my husband looking around town: ...surely there would be pieces of purple debris laying around somewhere.. after all, it was only made of Styrofoam and fragile as a biscuit.
Not a piece anywhere.
I sent my husband to check out the river:...surely some athletic punk had taken it and then tossed it in the river...after all, it was a longweek: lots of time for dirty work.
"VANDALISM! "I decided ". "I AM CLOSING THIS STORE! "I hissed.
"I HATE THIS TOWN!" I screamed.
Thankfully , I WAS WRONG and Oh hoh hoo, how wrong I was indeed!
I was right in the middle of my hysterical "I AM THE VICTIM"- temper tandrum (Act I)...when the situation turned around completely:
A man I had never met before walked into the store with my moon in his arms! As it turned out,
the day before, in a tornado like windy weather, he had witnessed the moon taking off: a sudden gale ripped it off the side of the building and landed it in the middle of Victoria Street.
This man, realizing that the next car would crumble it, graciously decided to save it.
And so he did.
Our store was closed for the holiday that day so next day he came in to return it.
I thanked him and offered to buy him a cup of coffee. He politely declined and swiftly got on his way. I was baffled: HOW DUMB OF ME....a couple of Coffee! Surely he deserves more than that....and I don't even know his name!
Sign maker Cliff Perry who carved the sign seven years ago rushed to my rescue:
he picked up THE MOON, gave him a face lift and offered to mount it back on the sign board.
It was also Cliff who contributed to the final chapter of this story:
on the day of re-installation Cliff called the Herald and told the paper what had taken place. Reporter Maija Hoggett found the story interesting enough and decided to come and take a look. The article that followed spread good tidings right through the community; I could not believe how many people called, commented and congratulated us. Everybody loves a story with a happy ending!
The mysterious good Samaritan who had saved THE MOON dropped by a day later: not to retrieve any trophies but to THANK FOR THE STORY IN THE PAPER! He still would not accept anything and quickly signed off with a positive statement: "that's how the world should work, don't you think?" I still don't know his name but I know that he lives close by and has two cats. Next time I see you, Mr. MOON SAVIOUR, I will have a basket of goodies for your kitties! At least!
The moral of my story is this:
1. GOOD SAMARITANISM SHOULD BE SUPPORTED AND ENCOURAGED!
2. Situation is not always as it seems: don't be so quick to anger.
3. My apologies to Alliston: THERE ARE PLENTY OF GOOD PEOPLE IN THIS TOWN.
I want to officially thank you MR. MOON SAVIOUR: Your kind action saved me hundreds of dollars and rekindled my faith in humanity.
Also bundles of thanks to CLIFF PERRY , the sign maker, for his free professional help and quick thinking....and MAIJA HOGGETT for the heartwarming story in the paper.
To see the article please go to:
In "a-foot-in-my-mouth" kind of FRAME OF MIND,
OUTI, your Frame Dame
Wednesday, April 7, 2010
There is safety in numbers.
Meade's favorite medium is pastel, landscape his favorite subject matter. This one titled "Killbear Trail Sentry" is a 13 1/4"x 10" pastel on matboard.
A PASTEL PAINTING is surely one very difficult customer; it requires immediate and careful attention. The pigment is rich, dry powder that is rubbed in to the surface of the support (paper, board, fabric etc.) If not handled with extreme care it will smudge or shed. Environmental changes could be lethal: vibration, heat and humidity can cause the paper to expand or shrink, forcing the pigment particles to separate from the ground. Not for sissies.
They are bright, they are happy. They simply glow with joy.
"Seen Better Days" 16"x20" pastel on matboard. Meade loves derelict old buildings , wonky architecture and varying reflections. Sunlight so bright that it makes you dizzy.
Charlotte Brown is a young painter with a bright artistic future. Here she is with some of her self portraits. This is a fun exercise that this group decided to engage together: Every member painted/drew a self-portrait and then some portraits of each other. The results yielded an interesting spectrum of studies, some serious, some tongue-in-the-cheeckish, some detailed and some barely suggestive. The exercise turned out to be a meditative observation: how do I see myself, how do I see you?
Last year the group did a similar joined project: every member produced an independent original of the same subject matter: an abandoned old pickup-truck in an over grown landscape.
Every single piece of work delivered a different story, every artist revealing different elements of the subject matter. The viewer could compare the results to the resource material (photographs of the actual scenery) and get involved with the project : What do I see? How would I paint/draw this? What would I include/omit? What is my mark/ my story?
A buttery detail of one of Charlotte's landscape paintings. Don't you just love the way she uses the paint?! These confident strokes let the viewers eye to do the blending. This is colour that talks!
The other two members of the group are Joseph Stellato and Jeff Dryden. These gentlemen will be featured on a later blog entry..I got so caught up in talking to so old friends that I totally missed some works and have no photos to post. Joseph Stellato has a unique approach to a multimedia, three dimentional painting and Jeff Dryden follows in the footsteps of his mother Coral with uncounted hours invested in drawing.